Video for Photographers
Adding motion work to client jobs as a hybrid photographer: what transfers from stills, frame rates, shutter, codecs and log profiles, exposure, ND filters, focus and stabilization, sequences and coverage, camera movement and vertical framing, continuous light and flicker, clean dialogue and recording consent, interviews and releases under state right-of-publicity laws, editing, music licensing, color, loudness and captions under the ADA and FCC rules, and scoping, pricing and contracts for hybrid jobs, ending in a photo-and-video client package.
PHOT-440 Year 4 3 credits 12 lessons · 5 h 46 min
Offered by HSM University · Photography
This is the American version of this course. See the Canadian version.
What you'll learn
- Explain which stills skills transfer to motion work, identify the new skills video requires, and plan how one person or a small team can deliver both stills and video on a client job.
- Choose frame rates, shutter speeds, resolutions, codecs, bit depths, chroma subsampling and picture profiles for hybrid deliverables, and calculate slow-motion factors, storage and card speeds.
- Expose standard and log footage with zebras, waveforms and false color, calculate neutral density requirements, configure autofocus for video, and select and balance stabilization systems.
- Cover actions and events in edit-ready sequences using shot sizes, the five-shot sequence, B-roll, natural sound, shot lists, continuity and shooting ratios, including vertical and horizontal versions.
- Plan motivated camera movement and composition in motion, avoid judder, compose for 16:9, 9:16, 4:5 and 1:1 deliverables within platform safe areas, and plan time-lapses.
- Light video with continuous sources, estimate required illuminance, manage color temperature with mireds, avoid flicker on 60 Hz mains, light interviews with small kits and plan battery power.
- Record clean dialogue and natural sound by applying the inverse square law, choosing and placing microphones, setting levels with headroom, managing rooms, wind, wireless systems and event feeds, and following recording-consent law in Canada and the United States.
- Produce interview-driven pieces with research, open questions, off-axis and two-camera setups, planned B-roll, paper edits and releases that reflect publicity and privacy law in Canada and the United States.
- Edit short pieces efficiently using verified backups, proxies, selects, string-outs, structure, pacing, music-led cutting, J and L cuts, titles, licensed music and managed review rounds.
- Finish hybrid deliverables with color correction and grading matched to the stills, audio cleanup and mixing to loudness targets, captions that meet accessibility expectations, export masters and delivery files, and quality control.
- Scope, staff, schedule, insure, price, license and contract hybrid photo-and-video jobs, including usage terms aligned with music licenses and releases, raw-footage policies and sales tax considerations.
- Plan, shoot, edit, deliver and reflect on a complete hybrid photo-and-video client package to professional standards.
Course content
12 lessons · 5 h 46 min total · final exam
- 1 From stills to motion: the hybrid photographer 30 min · quiz
- 2 Camera settings for video 32 min · quiz
- 3 Exposure, focus and stabilization for motion 30 min · quiz
- 4 Shooting sequences and coverage 28 min · quiz
- 5 Camera movement and composition in motion 28 min · quiz
- 6 Light for video 30 min · quiz
- 7 Sound for photographers 29 min · quiz
- 8 Interviews and short documentary-style pieces 27 min · quiz
- 9 Editing short pieces 29 min · quiz
- 10 Color, audio finishing and delivery 28 min · quiz
- 11 Hybrid photo and video jobs 28 min · quiz
- 12 Capstone: a hybrid photo-and-video client package 27 min · quiz
- E Final exam 20 questions
Requirements
Recommended background. You can start any course at any time.
Description
Adding motion work to client jobs as a hybrid photographer: what transfers from stills, frame rates, shutter, codecs and log profiles, exposure, ND filters, focus and stabilization, sequences and coverage, camera movement and vertical framing, continuous light and flicker, clean dialogue and recording consent, interviews and releases under state right-of-publicity laws, editing, music licensing, color, loudness and captions under the ADA and FCC rules, and scoping, pricing and contracts for hybrid jobs, ending in a photo-and-video client package.
Part of the Film & Photography stream, typically taken in year 4.